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Written with the sound of trombone choir in mind, this arrangement is both musically satisfying and accessible to players of varied abilities.
Jeremy Van Hoy is presently bass trombonist with the Colorado Springs Philharmonic, Boulder Philharmonic, and Opera Colorado. After growing up in Detroit, he received music performance degrees from the University of Michigan (B.M.) and Northwestern University (M.M.). His teachers were Fritz Kaenzig and Frank Crisafulli, respectively. As euphonium soloist, Mr. Van Hoy has performed with the Denver Municipal Band, Denver Brass, Ann Arbor Chamber Brass, Boulder Brass, Pikes Peak Brass Band, Little London Winds and the Livonia (MI) Symphony. In 1996, he was the 1st Prize winner at the Leonard Falcone International Euphonium Competition. Other accomplishments include being the first bass trombonist selected to the Tanglewood Music Center twice, and selection to the Sir Georg Solti Orchestral Project at Carnegie Hall. Mr. Van Hoy is an active free-lancer, having performed frequently with the Detroit, St. Louis, New Mexico and Colorado Symphonies. An active proponent of new music, Mr. Van Hoy gave his New York recital debut on April 5, 1998 in Merkin Concert Hall. This program featured five works written especially for the soloist. During the 2004-05 school year, he was instructor of euphonium at the University of Colorado-Boulder, holding a one-year position. In September 2008, Jeremy became the director of the Colorado College Concert Band. You can also hear him play horns and keyboard with the indie-folk band, Edith Makes A Paperchain.
The mute sounds really great, intonation is spot on and the handle makes it super easy to insert and take out very quickly. Only point that could be improved is a clean finishing. There are many unclean edges from the 3D Print. But overall my new fav straight mute.
By far the most freeblowing mute I've ever played on
By far the most freeblowing mute I've ever played on. The 2nd movement of Tomasi doesn't suck to play anymore.
Morningstar TENOR Trombone Cup Mute
Ton van Bemmel
My first impression of the book Trombone21 is great
My first impression of the book is great. The music included makes the book complete.
However, the book is a huge challenge for me. I have learned the tenor clef in the past, but not having used it at all since, so that is the first challenge.
I started practicing last week, July and August is the holiday period.
Furthermore, I love challenges; I am an amateur, and I have no other instrument available besides my tenor trombone. But that shouldn't be a problem.
I am happy with this book; I am going to use it with other practice material.
Van Hof/Jarvis: Trombone21
Anonymous
The composition is great
The composition is great. However, the engraving is sloppy. More attention to detail is necessary. Dynamics are not vertically aligned, some measures are too wide while others are to small making the notation hard to read. Also, multi-measure rests should be used more often. There were none in this piece and it could have used some. I had an issue with the file and I contacted customer service. The issue was resolved quickly, so the customer service was great!
Susan Mutter: Ages for French Horn or Trombone and Piano
Ole Herman Larsen
As always I simply like the text in her books
As always I simply like the text in her books. Tons of experience shared with great insight. Prescriptions on how to execute the exercises is a game changer and I would recommend both her books to all my trombone friends. These books are important for getting the basics in order, sound, air-flow, breathing, relaxation and endurance just to mention a few great tips for taking your playing to next level. Dimply great books
Linda Landis: Flying High With Flow Studies and More
Stephen Haynes, MSW
The Arrival of Something Truly Unique in Bucket Mutes
I have been following the design process of this entry into the bucket mute family for some time. Love the fact that is driven by active professional performers. My feeling is that is is a NEW take on the 'traditional' bucket. Rather than filling the mute chamber with dampening material, the design team developed a SONIC DIFUSER that, along with the overall design components, makes this a completely unique interpretation that remains rooted in tradition.
Superior, design and build/materials. EASE OF USE -easy on/off. And the maker worked with me to ensure a proper bell fit with my large bell - and communication throughout the order process was nimble, responsive and efficient. Not for nothing, affordably priced.