Ilan and Jarrett have produced a fantastic library of exercises here for the reference of any aspiring tubist. The book is well-structured to aid the transition between C tuba and F tuba in a daily routine, helping to bridge the contra bass/bass tuba gap.
There’s something here for anyone, whether for getting back in shape, honing in on fine detail goals, or all around for getting a sense of how several gifted pro players go about structuring their routines. And if you’re like me, you’ve struggled for years to develop a consistent routine, that you can come back to again and again and not get bored with. Having this resource to flip open means I can let the book do the work of guiding my practice while I focus on my body and my sound.
I’d recommend it to anyone!
Jim Andrus
Principal Tuba,
Boulder Philharmonic
Professor of Tuba,
Utah Valley University
University of Utah
Between the flexibility of the position of the 'corks' and the flexibility of the position of the cup, I was able to find a very satisfying cup sound that blended easily with the rest of the section.
I can make small adjustments for solo playing as well.
This is my new favorite cup mute.
Bought this (even as my career is winding down) in order to match the mute of the other trombone in a production of the opera “Fellow Travelers.” We’re the only brass players in a pit with three winds, string section, and piano. The many muted passages are often exposed and prominent, thus the willingness to buy yet another mute.
I’m so glad I did! If this had been the first straight mute I ever bought, I’d never have bought another. I love the lighter weight, THE HANDLE, the adjustable “corks”, and the rubber feet pads. Sound and response is solid in all ranges. Highest recommendation.
THANK YOU!
Great product, I love the sound and it has a handle if you want for quick mute changes. Just an excellent mute!
